When all this actual life played out, where the hell on Earth was I?

I’m always worried I don’t post enough about writing, but in retrospect, I think I’m justified when I do write about musicians and bands and comic books and movies, because they contain writing in some way. I love music for a lot of reasons, but sometimes it’s the lyrics that make the song; I’m more embarassed about a good piece of music with bad lyrics than I am a bad piece of music with good lyrics. Actually, that might not be completely true, but my musical embarassment is a story for another day.

I know some people who prefer instrumental music because they don’t like most lyrics or think the voice ruins the music, but I have to disagree on occasion. Music, for me, needs a good combination of beat and melody and lyric and voice; there’s nothing worse than having someone with a terrible voice but brilliant lyrics, or a wonderful voice wasted on rubbish lyrics. I like a lot of music, though – not as much as some people, but I have about 9000 songs and they cover all sorts of different genres. Some are guilty pleasures, some are genuine love.

Snow Patrol are one of my guilty pleasures, if I’m honest, but it’s a mix between guilty pleasure and genuine love. I’ve known about Snow Patrol for a while, ever since Run (from their album Final Straw) was released, and I didn’t like the song at first, but it’s grown on me. I’ve only heard their three “mainstream” albums – Final Straw, Eyes Open and A Hundred Million Suns – and I like bits and pieces of them. I think, out of all their songs, Somewhere A Clock is Ticking is my favourite, because it’s got that level of atmosphere that isn’t necessary for me to enjoy a song, but I fucking love it if you can get it in. Seriously, chills, hairs on the back of my neck standing on end, all of that.

Anyway, the point of this post was that I wanted to talk about A Hundred Million Suns, their most recent album. Why? Because I love it. It’s undeniably beautiful and it’s a mark of how much I love lyrics, how much I love people who can write good lyrics. It’s a positive album, really; Lightbody wrote the songs about being in love without sounding cliche, and while he had much difficulty with writing them, he believes they’re honest, and… you know, I think they are.

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ohmygod, I’m not dead.

I haven’t made a blog post in, let’s say, forever. I don’t make a lot of blog posts, let’s be fair, because I’m completely useless at accurately describing anything, and I tend to dissolve into LOLOLOLOLOLOLOLOLOL COCKS by the end of it. (Cocks is important. It’s not a lolfest if someone’s not finishing it off by shouting COCKS.) This is, undoubtedly, because my primary sin is sloth.

What to talk about? I could sit here and talk about 30 Seconds to Mars and Them Crooked Vultures and the World/Inferno Friendship Society, but music isn’t my strong point. I will tell you to go out and listen to all three of those bands, most noteably 30 Seconds to Mars’ new album and definitely Them Crooked Vultures’ debut album and whatever you can find of W/IFS, because it’s all amazing, but I’m not going to talk about them.

Oh, okay, I’ll sum them up. As briefly and as best as I can.

This is War is, without a doubt, utterly amazing. There’s a very powerful emotion to it that speaks to me and the imagery that it summons forth is brilliant and beautiful. It fits, very strongly, with the idea of an impending, necessary war – but not war between two countries. Not a war between two different factions. But a war between the people – humanity – and the society that we finds ourselves in. That’s the running theme throughout the album, but it does it in such a brilliant way. It’s hair-raising, it’s awesome, it’s something that makes you want to stand on the edge of everything and fall, fall into battle for your soul and your right and your humanity and your freedom and everything that we should be and everything that we’re not. There’s a strong likelihood that you’ll have seen Kings & Queens by now, and if you haven’t – go and watch it. The video’s a beautiful piece of film-making and the song’s utterly fantastic. Escape, Vox Populi and Stranger in a Strange Land are other noteable songs from the album, although you ought to listen to it play through. It’s amazing.

As for Them Crooked Vultures, what can I say? They’re a supergroup and possibly one of the finest, comprised of Josh Homme (Queens of the Stone Age), John Paul Jones (Led Zeppelin) and, my personal favourite, Dave Grohl (Nirvana and Foo Fighters). I can’t even begin to describe how brilliant it is, but all three of them are fantastic together – Homme’s voice and guitar, Jones’ bass, Grohl’s drumming – and the album’s pure and raw and wonderful. It’s completely dirty, filthy, even downright smutty – the first song, No One Loves Me & Neither Do I, is essentially sex in musical form. And it’s fantastic. I have to say that Elephants is undoubtedly my favourite, but Caligulove and Gunman are other favourites – and the entire album is probably one of my favourite albums ever. You oughta let this one play through, too – there’s so much variety, and they’re all brilliant songs. I’m pretty sure Interlude with Ludes takes the title of ‘creepiest damn thing I have heard all year’, too.

And I don’t know where to start with the World/Inferno Friendship Society other than that it’s brilliant. They’re cabaret anarcho-punk, and they’re just so happy and uplifting and a lot of fun to listen to. My noteable favourites are Addicted to Bad Ideas and Only Anarchists Are Pretty, but I’d say that you give anything you can find a shot. They’re definitely worth your time and your ears.

Whelp. I think I’ll leave it for now – I might be back with some writing, I might be back with a review of the year, who knows? Who’s even listening? I just like talking to myself.

SILLY POEMS

Feel free to have a laugh at some of my poetry. These are both very silly poems, and they’re inspired by the style of Warning by Jenny Joseph; you’ll know it as the “When I am old, I will wear purple” song, if you’ve heard it before. The first one popped into mind during the enrichment itself, and the second one followed suit when I came home. These are both on Stories, so if you’re on there and you want to comment, I’d prefer you do it there, but otherwise I’m happy with comments here.

The first one is about dragons and the second one is about superheroes; I am being tongue-in-cheek with my mockery in the second one, so don’t be offended?

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And the Devil Makes Three

This piece was written as part of a member battle with my friend and co-admin, Kher, on Stories. The prompt was “urban fantasy, theft, deals with a character who has a near-phobia of confronting people”. People quite enjoyed it; I won the battle, but Kher’s piece was really good as well. Anyway, here’s mine – bit of swearing in this ‘un. I’d also like to point out, right now, that Lucifier and Satan are two different people within this story. :P

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LONG TIME NO SEE THERE

Well, I haven’t been around for a while BUT I’ve got two pieces of writing for you! Don’t you feel special? Anyway, the following piece is a short poem-y prose-y prosetry type thing based on a prompt of “A butterfly under glass; you are beautiful, but you’re not going anyway”, which is a lyric from Incubus’ Beware! Criminal. I’ll include a YouTube video for your viewing pleasure after the writing. :P

It is a bit of a creeper piece.

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Hey, remember that time?

Well, this piece (which is also the first chapter of something that I’ll hopefully keep on with) was written for the 100 Stories challenge (except I’m not going to use it anymore), inspired in part by Kiss Kiss Bang Bang (you can probably see some narrative similarities in there) and my general love of using pop culture references in my writing for absolutely no reason. I won’t bother boring you with any further details, but I hope you at least enjoy it, because it’s something that I’ve had fun writing.

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I am the tragedy and the heroine.

I haven’t posted in a while. Woops! Hello, everyone in the land of blogs. I don’t even know who reads this, anyway. :P

I haven’t got a lot to offer you, but I do have some more writing! (And the crowd goes wild… not.) This was written for another challenge, this time transformation, and it has space pirates in it. Yay, space pirates! I don’t really like it as much as the others, but I haven’t written anything in a while… actually, I have something else to share with you, now that I think about it, but I’ll get that to you in the next post.

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Rebirth

Another entry for another writing contest from Stories; this time, it’s for Origins. The task was to take a myth or legend (or invent one) and tell the story of how it really happened.

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Departure

On Monday, I joined a writing forum called Stories. This is unusual because, although I love writing, I don’t seem to do it enough to make it worthwhile joining a site like this, which includes portfolios and writing samples to join. (You won’t be rejected, but you will be placed in either a Beginner or Intermidate rank depending on your writing sample; this isn’t a bad thing!) The owner, kherezae, has been posting writing challenges, such as this one, and I decided to give it a go. My entry can be found beneath the cut.

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this is some epic shit.

es_unearthed-coverjpgjpg

E.S. Posthumus are, according to Wikipedia, “an independent music group that produces cinematic style music. It is a form of epic classical that fuses intertwined drum beats with orchestral and electronic sounds. Their music is inspired by the Pythagorean Philosophy which states that “music is the harmonization of opposites; the conciliation of warring elements”. The E.S. is an acronym for “Experimental Sounds” while Posthumus is a word that represents “all things past”.”

As far as I am concerned, there is no way to accurately describe how epic their music it is: it truly is cinematic style and epic classical. Unearthed is the album that I’m not so much reviewing as asking you to listen to (and I’m about to link you to the entire album via YouTube, so you don’t have an excuse!). It is epic. A lot of the tracks have, incidentally, been featured in a lot of films. “Videos” are beneath the cut:

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